I. Display 2015 Depot Basel, Switzerland. With Matylda Krzykowski, Timo Demollin, Kasper Pyndt, Christophe Clarijs and myself. It aims to serve as a handbook for future window exhibitions at Depot Basel. Debut of the typeface Dalat. Riso printed in an edition of 100 in the Charles Napels Lab at the Jan Van Eyck Akademie.

II. Parallel School 2015 focused on the topic of Art School Identities 2015, Lausanne (Switzerland), ECAL, featured my lecture about Forced Materialism and the Artist's Art. 

III. London Design Biennale 2016 will feature a collaboration of Maria Jeglinska & Klara Czerniewska, who respond to the Biennale’s 2016 theme Utopia. For their Cadavre Exquis: An Anatomy of Utopia show, I have written two epilogues and a love story. Graphic design: Krzysztof Pyda. Sound: Paweł Andryszczyk. 

IV. In 2016 my script for the performance guiding the audience through the Superproject exhibition in Depot Basel (curated by Matylda Krzykowski and Rebekka Kiesewetter) was presented during Art Basel. With: Luke Archer & Leonardo Azzolini (Contemporary Format), Ferréol Babin (Contemporary Reproduction), Dimitri Bähler (Contemporary Optimism), Soft Baroque (Contemporary Surface), Tymek Borowski (Contemporary Information), Santiago Guerrero Font (Contemporary Decision), Joanne Hakkert (Contemporary Contextualisation), Leonard Kadid (Contemporary Industry), Kaja Kusztra (Contemporary Story), Sebastian Marbacher (Contemporary Conversation), Diana Pfammatter (Contemporary Image), Dan Solbach (Contemporary Visualisation).

V. For Zachęta, polish National Gallery of Art, together with Witek Orski (as Disturbed Dasein), we have designed graphic identity for a Summer 2016 group exhibition, Money to Burn.